Posted a tribute to our favorite lesson pony on my kids'-book/horsy blog here.
Wednesday, October 19, 2011
Thursday, October 13, 2011
Love, Love, Love
It's been very icky-doomy outside lately. Cold, rainy, windy. Even when it's sunny it seems to be cold, rainy, and windy.
Don't know how the weather manages that. Maybe it's just me, as I've been brooding about getting through the first holiday season without my father. I passed by a snail with a broken shell huddled on a concrete retaining wall in the rain the other day and thought, I know just how you feel, pal.
Often I notice things that give me pause and make me think, hey, maybe that's a little message from the universe there, but it's just not happening right now, never mind all those glorious fall colors and the rest of Mother Nature's decorating frenzy.
Still, three oddly related Things appeared in random places within the space of the day, so maybe the universe isn't trying to send Big, Meaningful Messages. Maybe it's just passing along slips of paper from fortune cookies or doing its version of posting chipper quotations on Facebook. Maybe it's just trying to be funny. They made me roll my eyes: Over the top, Universe.
Anyway, here they are--they're really just Loss, Litter, and Leftovers, but one takes what one can get.
Don't know how the weather manages that. Maybe it's just me, as I've been brooding about getting through the first holiday season without my father. I passed by a snail with a broken shell huddled on a concrete retaining wall in the rain the other day and thought, I know just how you feel, pal.
Often I notice things that give me pause and make me think, hey, maybe that's a little message from the universe there, but it's just not happening right now, never mind all those glorious fall colors and the rest of Mother Nature's decorating frenzy.
Still, three oddly related Things appeared in random places within the space of the day, so maybe the universe isn't trying to send Big, Meaningful Messages. Maybe it's just passing along slips of paper from fortune cookies or doing its version of posting chipper quotations on Facebook. Maybe it's just trying to be funny. They made me roll my eyes: Over the top, Universe.
Anyway, here they are--they're really just Loss, Litter, and Leftovers, but one takes what one can get.
These two hearts dangled from a rock wall my dog and I passed by on our morning walk. (I like saying morning walk because it leaves the impression that I also take afternoon and evening walks.) |
Tuesday, October 4, 2011
Purple, Rain
Warm reds and golds a-flame in the murk and drizzle of a Northwestern autumn adorn the calendar pages of my mind, but this year it's the color purple that leaps out all around me.
Everywhere I look, it seems, purple flowers are blooming. Perhaps it's a result of the very late arrival of hot, summery weather this year, causing a late blooming season for some plants, or perhaps the unseasonably warm spate of September days we enjoyed nudged a few species to bloom again.
Among the plants producing purple posies are lavender, ice plants, rose of sharon, petunias, coneflowers, dahlias, sweet peas, clover, agapanthus, allium, thistle, speedwell, and sage. Some lithodora and wild lilacs are tagged with a few late-opening flowers. I even spied a few clumps of periwinkle crocuses, those perennial harbingers of spring.
Here's a few of the purples and purple-blues cheering up the garden, in which none of the trees' and shrubs' leaves show any signs of turning red and yellow yet:
Everywhere I look, it seems, purple flowers are blooming. Perhaps it's a result of the very late arrival of hot, summery weather this year, causing a late blooming season for some plants, or perhaps the unseasonably warm spate of September days we enjoyed nudged a few species to bloom again.
Among the plants producing purple posies are lavender, ice plants, rose of sharon, petunias, coneflowers, dahlias, sweet peas, clover, agapanthus, allium, thistle, speedwell, and sage. Some lithodora and wild lilacs are tagged with a few late-opening flowers. I even spied a few clumps of periwinkle crocuses, those perennial harbingers of spring.
Here's a few of the purples and purple-blues cheering up the garden, in which none of the trees' and shrubs' leaves show any signs of turning red and yellow yet:
Wild Geraniums |
Catmint |
Aster |
Goldleaf germander |
One lone, tiny Birch Hybrid Campanula flower |
Verbena bonariensis |
Tuesday, September 27, 2011
Doin' the Puyallup
Getting them there and then letting them go was our parental task. We watched our daughter stride off with her friends, tethered to us only by hourly texts to check in, feeling somewhat relieved as well as wistful; wasn't it just yesterday that we escorted her around the fair, bought her cotton candy, and took turns going on all the rides with her?
For several hours, then, it was just us two wandering around aimlessly, taking in all the sights you expect at a fair: booths offering neon-colored slush drinks, Krusty Pups, elephant ears, deep-fried Twinkies, and cotton candy; hawkers trying to sell you on the latest and greatest (they really do still say things like "You have to see this product to believe it!"); big kids staggering under the weight of huge plush monkeys and other prizes won in games; and best of all...
The Animals.
The beef and dairy cattle had already gone home, as it was the last day of the fair, and we somehow missed the poultry, rabbit, and pig barns, but we did get to see the sheep, all dressed up in their fleece-protecting coats that make them look like superheroes.
Most of the 4-H horses had gone home as well, but not the beautiful gentle giants, the draft horses.
Belgian |
Percheron |
A Clydesdale's spats and feathers |
The slap and jingle of all the shining harness, together with the measured thumping of all those hooves, is a glorious sound. |
The fair boasted what it called "Animals of the World," which mostly consisted of rare breeds of livestock with a camel and a tame zebra thrown in. What's a fair without a little bit of hype?
The llama's technique. |
Spot the mule. |
A zeedonk--love the stripy ears! |
Thursday, September 22, 2011
Of Blogs, Hogs, and Children's Books
On any typical day I am to be found toiling in obscurity in my home office, so it was a great pleasure to step out last weekend and head downtown for a conference and to mingle with real, live people in a bustling hotel, all in an atmosphere of books, books, books.
The event was a convention called KidLitCon, a gathering of people who blog about children's literature and review books; it also included a number of authors, some of whom were there to present to attendees.
I was one of the authors encouraged to introduce myself and some of my books in a 90-seconds-or-fewer time slot on the event's first night in a version of "speed dating." I will gently Draw A Veil over this 90 seconds, as standing up in front of a crowd to speak is not high on my list of abilities; I tend to transform into the answer of the riddle "What do you get when you cross Ratso Rizzo with a deer in the headlights?" But it was delightful to listen to the other presentations and to have the opportunity to chit-chat afterward.
Highlights of the event included a bright-and-early Saturday presentation by Scott Westerfeld, author of the acclaimed Uglies series, among others. With wonderful wit and self-deprecating humor, Westerfeld transported us back to the late 1800s and the heyday of illustrated newspaper serializations and novels, sharing images of the intricately rendered engravings that embellished these works.
Such illustrations, once commonplace, largely disappeared from works published for older readers and adults--an evolution he views as a great loss (a dismay that resonates with me, as I cherish finding old books with tipped-in illustrations in thrift stores and at yard sales). Fortunately, illustrations have made a resurgence, and Westerfeld's own Leviathan series features beautiful artwork that is thoroughly modern even as it bows respectfully to its ancestors.
His talk was further enlivened by stories about how author and artist worked together to bring the mutant mechanized animals to life (bringing to light such marvelous real-life inventions as a four-legged walking machine built to meander through French vineyards a century ago) and the interesting history of how the deerstalker hat came to be the symbol of detective fiction (despite Holmes never actually donning one in any of Sir Arthur Conan Doyles's books). And how, whenever Westerfeld runs into a roadblock in his narrative, he just has his characters "jump off stuff."
Illustrator Richard Jesse Watson (The High Rise Glorious Skittle Skat Roarious Sky Pie Angel Food Cake and others) counterbalanced this fast-paced, futuristic presentation with a quiet oasis of a talk, in which he shared musings on poetry, nature, creativity, and the lyrical side of blogging. His celebration of creativity and the human spirit was both inspiring and calming. And it was where the hogs in this blog entry title come in: He started off by sharing three random--and very funny--stories about pigs, including one on a leash that attended one of his book signings and another that was being carried in a Baby Bjorn on its human "parent's" chest.
Other presentations I attended focused on marketing books in the post-Twilight era; how to write a critical book review; issues involving "political correctness" and diversity in YA books; and book apps--the good, the bad, and the ugly as well as the simply misguided--and how such apps should never leave the story to run off on an unrelated tangent (which is the problem with the weakest of them).
Oh, and there was mingling, too. I'm about as bad at mingling as I am at marketing, but I did enjoy some lovely conversations with people such as Helen Landalf, whose novel Flyaway will be published in December 2011; Michelle Dunphy, a voice actor who reviews YA books; and even a little chat with Nancy White Carlstrom, who slipped in to sign copies of her charming book Jesse Bear, What Will You Wear? that were available on the sales table provided by one of my favorite bookstores, The Secret Garden.
(I am sorry to say that I was giddy enough to say something as obvious as "Are you Nancy White Carlstrom?" when I found myself standing next to her; bless her heart, she was too gracious to respond by asking, well, just why else would I be signing these books? Fortunately, when I brought a book to Scott Westerfeld for his signature, I was too speechless to say much beyond the lame "My daughter absolutely loves your books"...however, my cliche-ocity was mitigated by my daughter's gasp of delight when I gave her the book upon my return home; she ran her finger over her name on the title page, slowly saying, "He. Wrote. My. Name!!!")
As with all good conferences, it wasn't just the mind that was sated--there was also excellent food and a bottomless supply of coffee. And the sheer delight of milling about in a hotel lobby pretending that one never had to clean gutters or catboxes and simply spent all one's time milling about in hotel lobbies.
I hadn't been to the Hotel Monaco in ages--the last time I was there, it was to dine with my friend R----, an Australian travel writer. (That's another thing I love about old novels in addition to engraved illustrations--haven't you always wondered what was being left out when you read an old book that included lines such as "When R---- arrived from -----shire, in the year 18--"...?)
The only dismaying thing was encountering this sign on a hallway downstairs--I ask you, where is a Sharpie when you need to write an apostrophe on the wall?
The event was a convention called KidLitCon, a gathering of people who blog about children's literature and review books; it also included a number of authors, some of whom were there to present to attendees.
I was one of the authors encouraged to introduce myself and some of my books in a 90-seconds-or-fewer time slot on the event's first night in a version of "speed dating." I will gently Draw A Veil over this 90 seconds, as standing up in front of a crowd to speak is not high on my list of abilities; I tend to transform into the answer of the riddle "What do you get when you cross Ratso Rizzo with a deer in the headlights?" But it was delightful to listen to the other presentations and to have the opportunity to chit-chat afterward.
Scott Westerfeld |
Such illustrations, once commonplace, largely disappeared from works published for older readers and adults--an evolution he views as a great loss (a dismay that resonates with me, as I cherish finding old books with tipped-in illustrations in thrift stores and at yard sales). Fortunately, illustrations have made a resurgence, and Westerfeld's own Leviathan series features beautiful artwork that is thoroughly modern even as it bows respectfully to its ancestors.
His talk was further enlivened by stories about how author and artist worked together to bring the mutant mechanized animals to life (bringing to light such marvelous real-life inventions as a four-legged walking machine built to meander through French vineyards a century ago) and the interesting history of how the deerstalker hat came to be the symbol of detective fiction (despite Holmes never actually donning one in any of Sir Arthur Conan Doyles's books). And how, whenever Westerfeld runs into a roadblock in his narrative, he just has his characters "jump off stuff."
Salty Dog and his creator, Richard Jesse Watson |
Other presentations I attended focused on marketing books in the post-Twilight era; how to write a critical book review; issues involving "political correctness" and diversity in YA books; and book apps--the good, the bad, and the ugly as well as the simply misguided--and how such apps should never leave the story to run off on an unrelated tangent (which is the problem with the weakest of them).
Oh, and there was mingling, too. I'm about as bad at mingling as I am at marketing, but I did enjoy some lovely conversations with people such as Helen Landalf, whose novel Flyaway will be published in December 2011; Michelle Dunphy, a voice actor who reviews YA books; and even a little chat with Nancy White Carlstrom, who slipped in to sign copies of her charming book Jesse Bear, What Will You Wear? that were available on the sales table provided by one of my favorite bookstores, The Secret Garden.
(I am sorry to say that I was giddy enough to say something as obvious as "Are you Nancy White Carlstrom?" when I found myself standing next to her; bless her heart, she was too gracious to respond by asking, well, just why else would I be signing these books? Fortunately, when I brought a book to Scott Westerfeld for his signature, I was too speechless to say much beyond the lame "My daughter absolutely loves your books"...however, my cliche-ocity was mitigated by my daughter's gasp of delight when I gave her the book upon my return home; she ran her finger over her name on the title page, slowly saying, "He. Wrote. My. Name!!!")
As with all good conferences, it wasn't just the mind that was sated--there was also excellent food and a bottomless supply of coffee. And the sheer delight of milling about in a hotel lobby pretending that one never had to clean gutters or catboxes and simply spent all one's time milling about in hotel lobbies.
I hadn't been to the Hotel Monaco in ages--the last time I was there, it was to dine with my friend R----, an Australian travel writer. (That's another thing I love about old novels in addition to engraved illustrations--haven't you always wondered what was being left out when you read an old book that included lines such as "When R---- arrived from -----shire, in the year 18--"...?)
The only dismaying thing was encountering this sign on a hallway downstairs--I ask you, where is a Sharpie when you need to write an apostrophe on the wall?
Tuesday, September 13, 2011
How Much Does a Children's Book Weigh?
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The Elephant Book by Ed Powers image courtesy Eric Sturdevant |
I know, I know--you're thinking, "What a stupid question." Because books come in many sizes and even shapes. Because different books have different numbers of pages. Because some have hard covers and others are paperbacks.
And if you read a children's book on a Kindle or a Nook, well--hey, then any book of any size weighs virtually nothing if you don't count the hardware that supports it, right?
But somebody out in the web-wide world found my little old blog by typing in that very question. Sometimes when I am putting off tasks, I look in the "statistics" area of the blog to amuse myself, and that is how I found out that somebody needed to know this.
One easy way to find out how much a children's book weighs, of course, is to put one on a food scale.
Which is about as much as a small pocket camera, some Blackberries, a mourning dove, a cricket ball, or a plastic two-person wedding-cake topper.
So I Googled to find out what the world's largest children's book would be, because I don't have a copy of a current Guinness book of records on hand.
The record-holder, as far as I can tell, would be this book:
It's called The Dream-Plucker of Perrysport. It was published by the Carnival cruise-ship company. It measures 15 feet, 6 inches by 20 feet. Definitely too big to put in your backpack--it's large enough to be a nice parking spot for a car.
A kind person at Carnival answered my question about its weight: the big book weighs about 125 pounds. That's about as much as a female St. Bernard dog, though it won't come when called or lick you. So this book is definitely not light reading. However, Carnival did sell smaller copies of the book on its ships to help raise money for a hospital called St. Jude's.
Unless somewhere there's a children's book made of solid lead, this book is probably the heaviest children's book in the world. Which leads to the question, what's the lightest one?
"Lightest" leads to "smallest," and one of the smallest is a little puff of dust currently held in the Library of Congress, which reports that its smallest book is a copy of "Old King Cole" that measures just 1 square millimeter (.04 inches). That's about the size of the period in this sentence. < --- Yes, that one.
Not this one:
.
You need to use a needle to turn its pages while looking at it through a magnifying glass. Its weight is not provided. At right is a picture of a copy held by a Welsh library (borrowed from the library's website).
Another source suggests, however, that this gnat-sized book is enormous compared to The World's Smallest Book, a tiny leather-bound book published in Germany that rests inside a wooden box. It is a mere 2.4 mm by 2.9 mm.
At left is that tiny tome perched on a matchstick, because it is often described by comparing it to a matchhead instead of a period. You can buy it on Amazon for less than a thousand dollars (normal-sized ones). The shipping weight is given as 6.6 ounces, but much of that consists of the mahogany box and enclosed magnifying glass.
At any rate, apparently a gold-and-silk-bound copy of Chekhov's Chameleon, measuring .9 mm square, has them both beat. It's described as being about the size of a grain of salt. But it's not a children's book.
However, weight becomes immaterial in the case of the lightest book, since as of 2007 there exists a book so small you need an electron microscope to read it. Physicists at Simon Fraser University "published" the .07 mm x .10 mm book Teeny Ted from Turnip Town by focusing a "gallium-ion beam" on tiny "pages" made of crystalline silicon.
Well, if you go off into outer space, any book you read will instantly be a contender for the (out of this) world's lightest book, since you'd be reading it in the weightlessness of near-zero gravity.
I don't have room in my house for the heaviest book, and the lightest/smallest ones would get lost in all the clutter, so this is all moot, anyway. But thanks to the question discovered in my stats while procrastinating, I have managed to procrastinate even longer by trying to answer it.
Monday, September 12, 2011
Living Off the Land (or Not, As the Case May Be)
One of the autumnal signs is an email from the P-Patch people reminding us that it's time to think about winterizing plots--mulching, planting winter crops, and putting in cover crops.
Which means, of course, that one has presumably brought in the harvest, yes? And that once again I confront the evidence of just how hungry my family would be if we ever tried to survive on the bounty of our garden.
The scorecard:
Strawberries: 3 berries, total.
Black raspberries: Several sour, seedy, super-staining handfuls.
Peas: 1.5 cups, after shelling. Sufficed to round out one meal.
Chard: Bolted early in season. Several cups of chopped leaves flavored some meals.
Collards: Always a hit--a few pounds of leaves, blanched and reduced to a one-gallon freezer bag.
Zucchini: 3 or 4 pounds of mini-banana-sized fruits, after problem of squash-end blossom rot was resolved by steady watering and an application of epsom salts.
Red cabbage: So far, one large, rotund head and one tennis-ball-sized specimen; others still growing.
Green cabbage: Pretty much a crop of baseball-sized lumps stuffed with slugs--really just Escargot-in-the-Round.
Tomatoes: Damp, cloudy, chilly July meant late tomato production, yielding a few pounds of small but succulent fruits.
Rhubarb: First-year plants thriving, but can't pick any stems yet.
Potatoes: Haven't unearthed them yet. Cliffhanger--will they be marvelous or will they be mushy, rotten blobs?
So. I've planted some chard and Brussels sprouts in the faint hope that some winter crops will grow, and have two raspberry bushes ready to plant, one of which has already suffered badly in the heat wave, which of course is a really encouraging sign that we'll be able to grow, perhaps, two weeks' worth of food next year instead of just one week's.
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